15 586 безплатни аудиофайлове за "Bwv 847 – Prelude And Fugue No. 2 In C Minor From Well Tempered Clavier I"

Italiano: Introduzione del primo movimento (Andante sostenuto—Moderato con anima) battute 1-26 della Sinfonia n.4 di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham con la Royal Philharmonic Orchestra nel 1957.

Beethoven: String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - IV. (Adagio) La Malinconia

Schubert, Ave Maria, adapted to Latin words complete

Piano Sonata No. 14 in C Minor, K. 457

Sonata No. 8 in C Minor „Pathetique“, Op. 13 - II. Adagio cantabile

Sonata 'Waldstein', op. 53 - ii. introduzione - adagio molto

Italiano: Symphony No. 6 in B minor, Op. 74, "Pathétique" IV. Finale- Adagio lamentoso

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.

Sung by Carmen Miranda. Odeon disc 11540.

Sung by Carmen Miranda. Odeon disc 11442.

Part 8 (a drum cadence followed by the last strain of "The Stars and Stripes Forever") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 18 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Traditional song from Burma performed by Ma E Mi. Columbia record n° V.E. 2107. Matrix n° CEI. 7910 [1].

Traditional Vietnamese cải lương performed by the Phước Cương troupe. Bekarecord n° B 20107. Matrix n° 92380. [1]

Traditional song of Tahiti performed by Tefanake, Reia, and Moratai. Mareva record n° 115. Matrix n° 13485-1PD. [1] Ute – tradycyjna piosenka z Tahiti w wykonaniu grupy Tefanake, Reia i Moratai z 1950 roku.

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

Traditional Canadian folk music, interpreted by Isidore Soucy. Columbia record n° 34103-F. Matrix n° E 2685. [1]

Ehre sei Gott in der Höhe, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 816

Chinese traditional song sung by Jianhong He. Bekarecord n° 223. Matrix n°22769. [1]

Traditional song from Morocc performed by Chikha Aicha El Hertitia. Recorded by Harold Fleming in Casablanca. Gramophone record n° K-4631. [1]

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Gwahoddiad - I Am Coming, Lord

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Bach, Cello Suite no. 1 in G major, BWV 1007, V. Menuets I et 2. Interprété par Pablo Casals.

Bach, Cello Suite no. 1 in G major, BWV 1007, IV. Sarabande. Interprété par Pablo Casals.

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

Bach, Cello Suite no. 1 in G major, BWV 1007, III. Courante. Interprété par Pablo Casals.

Bach, Cello Suite no. 1 in G major, BWV 1007, I. Prélude. Interprété par Pablo Casals.

Bach, Cello Suite no. 1 in G major, BWV 1007, II. Allemande. Interprété par Pablo Casals.